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UID:5d637172-d434-4d72-a200-e03328ba9486
X-WR-CALDESC:Recognized as one of the Visionary Imagists of the contemporar
 y American South\, Jacqueline Bishop is known for paintings\, drawings and
  installations exploring the psychological connections between humans and 
 non-humans. Informed by the history of landscape painting and her travels 
 in South America\, Central America\, and Southeast Asia\, Bishop’s work ad
 dresses the politics of landscape and the realities of migration and extin
 ction\, imbuing the genre with a keen sense of intimacy\, agency\, and met
 aphor.\n\nAbove the Fruited Plain\n\n“Above the Fruited Plain” refers to t
 he poem written by Professor Katharine Lee Bates in 1893 after traveling t
 hrough the Midwest from Massachusetts to teach in Colorado. Her metaphoric
 al words ended up as a national song that celebrates the beauty of landsca
 pe titled America the Beautiful. This exhibition presents the psychologica
 l connection we have to a threatened natural world. Scientists did not rec
 ord climate change until the late 19th century which could mean that the a
 ct of landscape destruction might only be recorded in Art History. I explo
 re the long tradition of landscape painting and the social/political issue
 s behind nature itself. My work omits the human figure but explores animal
  knowledge. These “world landscapes” are metaphors for the link between hu
 man and nonhumans. Included in this exhibition are numerous prints on pape
 r published by Zanatta Editions\, Kansas City\, KS. The vintage cotton dre
 ss series symbolizes the years of forced labor of cotton from the land. Th
 e large scale paintings have a dominant palette of alizarin crimson\, a pi
 gment that was used by the Egyptians for textiles and murals dating back t
 o 3000 BC. Alizarin crimson symbolizes the methane in our environment resu
 lting in chemical-filled sunsets\, the color of roses\, blood\, and algae 
 in the Gulf of Mexico.\n\n-Jacqueline Bishop
X-WR-RELCALID:990d49a710d624da39db019e593c5131
X-WR-TIMEZONE:America/Chicago
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DTSTART:20241103T020000
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
RDATE:20251102T020000
RDATE:20261101T020000
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DTSTART:20250309T020000
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TZOFFSETTO:-0500
RDATE:20260308T020000
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UID:ea898a2b-90d5-4a43-9200-7a255fc401fd
DTSTAMP:20260410T202327Z
DESCRIPTION:Recognized as one of the Visionary Imagists of the contemporary
  American South\, Jacqueline Bishop is known for paintings\, drawings and 
 installations exploring the psychological connections between humans and n
 on-humans. Informed by the history of landscape painting and her travels i
 n South America\, Central America\, and Southeast Asia\, Bishop’s work add
 resses the politics of landscape and the realities of migration and extinc
 tion\, imbuing the genre with a keen sense of intimacy\, agency\, and meta
 phor.\n\nAbove the Fruited Plain\n\n“Above the Fruited Plain” refers to th
 e poem written by Professor Katharine Lee Bates in 1893 after traveling th
 rough the Midwest from Massachusetts to teach in Colorado. Her metaphorica
 l words ended up as a national song that celebrates the beauty of landscap
 e titled America the Beautiful. This exhibition presents the psychological
  connection we have to a threatened natural world. Scientists did not reco
 rd climate change until the late 19th century which could mean that the ac
 t of landscape destruction might only be recorded in Art History. I explor
 e the long tradition of landscape painting and the social/political issues
  behind nature itself. My work omits the human figure but explores animal 
 knowledge. These “world landscapes” are metaphors for the link between hum
 an and nonhumans. Included in this exhibition are numerous prints on paper
  published by Zanatta Editions\, Kansas City\, KS. The vintage cotton dres
 s series symbolizes the years of forced labor of cotton from the land. The
  large scale paintings have a dominant palette of alizarin crimson\, a pig
 ment that was used by the Egyptians for textiles and murals dating back to
  3000 BC. Alizarin crimson symbolizes the methane in our environment resul
 ting in chemical-filled sunsets\, the color of roses\, blood\, and algae i
 n the Gulf of Mexico.\n\n-Jacqueline Bishop
DTSTART;TZID=America/Chicago:20250815T160000
DTEND;TZID=America/Chicago:20250815T190000
LOCATION:2818 Frederick Ave\, Saint Joseph\, MO 64506 US
SUMMARY:AKMA JACQUELINE BISHOP “Above the Fruited Plain” Exhibition Opening
END:VEVENT
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